Over 30 Years of Outstanding Film & Television Music + Much More!
Christmas Guitar Classics

Christmas Guitar Classics
amazon apple spotify
Christmas Guitar Classics
Music by Swan

1. Angels We Have Heard On High (“Gloria”)
2. What Child Is This? (“Greensleeves”)
3. Winter Wonderland
4. O Tannenbaum (“Oh Christmas Tree”)
5. God Rest Ye’ Merry Gentlemen
6. Deck The Halls
7. Silent Night
8. White Christmas
9. Do You Hear What I Hear?
10. Santa Claus Is Comin’ To Town
11. We Wish You A Merry Christmas
12. The First Noel
13. Joy To The World
14. Good King Wenceslas
15. Silver Bells
16. Let It Snow
17. It Came Upon A Midnight Clear
18. Jingle Bell Rock


Music by Harry Escott

Harry Escott’s original score for BBC drama Roadkill. Starring Hugh Laurie, the four-part political thriller was written by David Hare (The Hours, The Reader) and directed by Line of Duty’s Michael Keillor. The thriller follows a self-made, forceful, and charismatic politician whose public and private life is being picked apart by his enemies.

Over the last two decades, Harry Escott has worked with some of the industry’s finest filmmakers composing scores for Eran Creevy’s Shifty, Paddy Considine’s Journeyman, Steve McQueen’s Shame, David Slade’s Hard Candy and Alvaro Delgado’s Retablo. He is known for his long standing relationship with Michael Winterbottom, for whom he has scored several films including A Might Heart, The Face of An Angel and most recently, Greed and with Clio Barnard for whom he has scored all of her films including the forthcoming Ali & Ava.

Away from the screen, Escott’s recent works include a collaboration with the poet Lavinia Greenlaw for her sound installation, Audio Obscura, which won the Ted Hughes Award for New Work in Poetry and O Light Of Light, a reflection on Tallis’ O Nata Lux which was commissioned and performed by Ora Singers.

Harry Escott’s score for Roadkill is a jazzy, small ensemble affair featuring Mercury nominated pianist Kit Downes as leader of the band of world class performers – Martin France on drums, Richard Price on Double Bass, Oliver Pashley on Clarinet and Hugh Wilkinson on Vibraphone. Escott’s jaunty yet slippery themes and chromatic angular waltzes, seem to be purposefully disassociated from the on-screen drama. The music’s role in Roadkill is to heighten our understanding of the central character, the sociopathic politician Peter Laurence, skilfully played by Hugh Laurie.

Roadkill premiered on BBC One, UK on 18th October and is expected to premiere in the U.S. in early 2021 as part of the PBS’ Masterpiece series.

Roadkill is Harry Escott’s 4th release on Silva Screen Records, following Shifty (2009), The Face of An Angel (2015) and River (2015), for which he was awarded the Music and Sound Award for best original TV score in 2016.

1. Chess Game Shuffle
2. Gently Crushing Lily
3. The Comb
4. Off To Downing Street
5. Back In The Game
6. Lily Tails To Marylebone
7. A Hell Of A Price For A Speech
8. The Game’s In Play
9. Are We Allowed To Kiss?
10. The Shark’s In The Swimming Pool
11. Shephill Prison
12. We’re Very Grateful
13. Running Over Deer
14. Prison Riot
15. Charmian Pepper
16. Moving On From Madeleine
17. I Was Humiliated
18. Roadkill Title Theme
19. Strewing Rose Petals

The Capture

The Capture
Music by Dave Rowntree and Ian Arber

“In the most spied on country in the world, the BBC surveillance thriller is both deeply unsettling and terrifyingly plausible” – The Guardian

Starring Holliday Grainger and Callum Turner, The Capture is BBC’s Big Brother themed thriller set in our contemporary world of digital surveillance. The first six episodes of Season 1 established a heightened world of deception and paranoia. Season 2 filming is scheduled for summer 2021.

Composers Dave Rowntree and Ian Arber were presented with a brief to compose a complex and melody-driven score. The director Ben Chanan (The Missing, Cyberbully) wanted the score to reflect the puzzle nature of the story, using bold and idiosyncratic themes for the characters to help enhance the show’s twists and turns. The music was to become a part of storytelling, and the themes were to evolve with the characters, as their relationships developed, entwined and collided.

David Rowntree and Ian Arber used their strengths as a duo to approach this distinctive and mysterious musical world. David’s experimental, analogue synth and percussive experience, in combination with Ian’s more traditional, melody-driven orchestral background led to a rich and unique hybrid of ideas and techniques, with both composers collaborating on every cue. Dave Rowntree is the drummer for the rock band Blur, whilst Ian Arber (Medici, My Name Is Lenny, I Am Bolt) is a classically trained composer proficient in cello, piano, bass, electric and acoustic guitar, and music production.

“We created the sound of this world using our unique blend of electronic and organic sounds, interweaving a live string section for the characters at the heart of the story. The purity of the strings helped contrast and focus in on the heart of the human stories within the unravelling world. We used many effects and techniques to distort, glitch and stutter electronic sounds, but also processed the purer sounds like the strings, when our musical worlds needed to collide. We hid clues in the music by creating images and converting these to sounds using a number of techniques which allowed the images to be reconstructed by a viewer from the audio, and also incorporated hints based on Morse Code rhythms.” – Ian Arber

1. The Capture Titles
2. The Soldier
3. Would It Be You?
4. The Assault
5. What Happens in Helmand
6. Seeing is Deceiving
7. Tread Carefully
8. Tall Man
9. Toy Soldier
10. Leaked
11. Monitor
12. The Body
13. Gastor Square
14. Fig Leaf
15. A Pilgrim of Justice
16. Safe House
17. The Mole
18. Believe Your Eyes
19. Confession
20. Alternative Fact
21. Correction

The Musical Anthology Of His Dark Materials: Series Two

The Musical Anthology of His Dark Materials Series Two
The Musical Anthology Of His Dark Materials: Series Two
Music by Lorne Balfe

‘The Musical Anthology of His Dark Materials: Series Two’, with music composed by Lorne Balfe, this second ‘Musical Anthology’ volume presents newly composed principal themes from the second series.

“Writing the score for season two was a fantastic experience due to being able to delve into the musical world of Cittàgazze.” says Lorne. “Recording the score had its challenges due to COVID. Musicians and singers from Inverness, Cardiff, London, Vienna and Bulgaria contributed to this season’s soundtrack and made the music come alive.”

Series Two is based on The Subtle Knife, the second book in Philip Pullman’s trilogy. Dafne Keen is back as Lyra Belacqua alongside Ruth Wilson as Mrs Coulter and Lin Manuel-Miranda as Lee Scoresby. Also returning for series two is Ruta Gedmintas as Serafina Pekkala, Joe Tandberg as Lorek Byrnison and Helen McCrory as Stelmaria. Joining the cast this season are Terence Stamp, Andrew Scott, Jade Anouka and Simone Kirby.

The Musical Anthology of His Dark Material Series One was warmly received by the press:

“This is fantasy the way it should be done: sumptuous, inspiring both wonder and a sense of adventure, beautifully scored (by Lorne Balfe), with world building that is as impeccable as it is effortless.” – First Post

“It’s an epic work that perfectly foreshadows Lyra’s journey, and could easily belong in Assassin’s Creed or Tomb Raider” – Classic FM

“…thematically rich, dramatically potent fantasy music… It’s not just good by his standards, it’s good by anyone’s, easily the best episodic tv music I’ve heard in a very long time and it’s presented wonderfully on this well-conceived album… undoubtedly one of the most impressive new scores of the year.” – Movie-Wave

Lorne Balfe (Mission Impossible: Fallout, The Lego Batman Movie, Churchill) is a Grammy Award winning, EMMY and BAFTA nominated composer. Whether on an impossible mission, the heartbreak of the Queen, the perils of the cape crusade or the soul of a genius, Lorne Balfe creates a musical voice that reflects the characters and the stories that embody them. Originally from Inverness, Scotland, Balfe has created music in virtually all genres and for all visual media with projects ranging from major studio to independent films, tentpole video game franchises, beloved animated feature films, critically acclaimed television series, and documentary features.

1. The Subtle Knife
2. Play the Serpent
3. Dark Materials: Between the Worlds
4. A Spectre’s Playground
5. A New Cardinal Rises
6. The Witch Queen of Lake Lubana
7. Children of The Prophecy
8. The City In The Sky
9. The Shaman

The Little Drummer Girl

The Little Drummer Girl
The Little Drummer Girl – Music by Cho Young-wuk

Award-winning composer Cho Young-wuk’s evocative soundtrack to Park Chan-wook’s BBC adaptation of John le Carré’s classic 1983 spy novel.

Featuring Florence Pugh, Alexander Skarsgård, Michael Shannon.

The Little Drummer Girl is the follow up to The Night Manager (2016), the second soundtrack from The Ink Factory BBC series to be released on Silva Screen Records. Dedicated to adaptations of John le Carré’s novels, The Ink Factory was founded in 2010 by John le Carré’s sons Stephen and Simon Cornwell.

Broadcast in 2018, the 6 part mini-series features actors, spies and terrorists, inter-weaving the characters through an intricate and complex storyline. Park says “There’s the dynamic between fiction and reality, and how the lines get blurred. Then there’s the question of what’s the truth and what’s performance, and also the dynamic between the assailants and the victims.” Park’s visual depiction of the 1970s era is peppered with symbolic use of colour; the slightly dreamy, dissociated atmosphere of the series is disrupted by a striking palette of yellows, oranges, blues and greens as light and shade are utilised to observe the sharp contrast and clashes between characters. The visuals and storylines are mirrored and bolstered by Cho Young-wuk’s exquisite soundtrack, brimming with bitter-sweet melodies. The melodies are as strong and complex as the characters depicted.
Cho Young-wuk
Cho Young-wuk and Korean art-house director Park Chan-wook have proved to be one of the great composer and director pairings. Old friends and neighbours, Cho and Park’s friendship pre-dates their film careers and thus far have collaborated on internationally acclaimed Oldboy (Grand Prix winner, Cannes 2004), Lady Vengeance (2009), Thirst and The Handmaiden (2016).

Since composing the soundtrack for The Contact (1997), the first ever million-selling soundtrack to a Korean film, Cho has created over 50 film scores. Today, he is the number one South Korean orchestral film composer, scoring some of the biggest art and box office hits.

The series was broadcast on BBC and AMC.

CD One
1. Acropolis
2. Charlie and the Bomb
3. Fiction Becomes Truth
4. Mystery Man
5. The Training Camp
6. Michel
7. Stairs
8. Slides
9. Salim
10. Theatre of the Real
11. Time Bomb
12. Make Yourself Comfortable
13. Reliving the Explosion
14. Gadi
15. Boom
16. Play the Scene
17. Charlie and Michel
18. Window
19. Wish Me Luck
20. Joan of Arc
21. Kiss Ride

CD Two
1. Lebanon Roads
2. Michel’s Letter
3. The Little Drummer Girl
4. Captain Tahey
5. The Bunker
6. Vergiss Nicht
7. Fatmeh
8. Lebanon
9. I Am Khalil
10. Cologne
11. Take Off Your Clothes
12. Scars and Wounds
13. Charlie
14. Terror
15. The Plaza
16. Refugee Camp
17. The T Shirt
18. Seducing Khalil
19. Charlie and Gadi

Stilgoe In The Shed

Stilgoe In The Shed
Joe Stilgoe ‘Stilgoe In The Shed’

Tour cancelled due to lockdown, Joe Stilgoe suddenly found himself missing the adrenalin and human connection that has fuelled his live performances. He decided to perform a show on day 1 of the lockdown via his YouTube channel – this led to Joe taking direct song requests and broadcasting online – Stilgoe in the Shed was broadcast every day at 1pm, reaching 150,000 viewers worldwide.

67 online shows and 4 months later, Joe’s restless energy resulted in a 15-song album recorded in a single day in his shed. With his friend, Grammy-nominated producer James McMillan, Joe made a decision to recreate the lockdown experience by capturing his performances under the same restrictions as his YouTube show. The songs that made it onto the album where chosen either for being the most requested or for having the most powerful response from his fans – all the choices seem to take on a new relevance at a time when live music is barely available but is needed more than ever.

Joe says: “It was just one day recording, with McMillan in the pilot seat. We recorded 17, but you’ll only get to hear 15 (I blame the piano pedals…). All these songs mean different things to different people, but for me there’s an attachment because at a time when the days seemed to meld into one another, playing every day in the shed gave me a tangible memory for each flip of the calendar, and each song its own poignant place. They, and music in general, took on new meaning during the lockdown and I’m grateful not only for the escape and comfort that music brings but also the support I and the show received every day.”

Stilgoe in The Shed is Joe’s 8th album. A new UK tour is scheduled for 2021 and the YouTube shows helped raise over £20,000 for local and national charities that Joe felt were being overlooked as so much fundraising and donations were being focused on the NHS charities. These included hospices, disabled arts charities and those from his own industry including Tomorrow’s Warriors and Help Musicians UK.

1. Wichita Lineman (Jimmy Webb)
2. Some Other Time (Bernstein/ Comden/ Green)
3. Mountain Greenery (Rodgers/ Hart)
4. Sunny Afternoon (Ray Davies)
5. How Are Things In Glocca Mora? (Lane/ Harburg)
6. Seaside (Joe Stilgoe)
7. Big Yellow Taxi (Joni Mitchell)
8. Happier Than The Morning Sun (Stevie Wonder)
9. Rainbow Connection (Paul Williams/ Willie Nelson)
10. You Meet The Nicest People In Your Dreams (Fats Waller)
11. In The Still Of The Night (Cole Porter)
12. What’s Up? (Linda Perry)
13. Make You Feel My Love (Bob Dylan)
14. This Will Be Our Year (White)
15. No One Is Alone (Sondheim)

A Suitable Boy

A Suitable Boy
A Suitable Boy – Alex Heffes with Anoushka Shankar

Based on Vikram Seth’s 1300-page book following the fortunes of four large families, the six-part series is directed by Mira Nair (Monsoon Wedding) and adapted for screen by Andrew Davies (War and Peace, Pride and Prejudice). The series was created by an almost exclusively all Indian cast and crew and main roles featured Tanya Maniktala (Lata), Ishaan Khattar (Maan), Mahira Kakkar (Mrs Mehra), Danesh Razvi (Kabir), Namit Das (Haresh).

The score was composed by Alex Heffes with Anoushka Shankar, world renowned sitar player. Previously paired on Mira Nair’s 2016 Disney Film Queen Of Katwe, Alex knew how important the music score is to her. Says Alex of his work with Mira “music flows throughout Vikram Seth’s book so we discussed very early on how to tie the original score into the very authentic music world of India that had been captured on screen and how to create a musical language for the score that weaves between the world of Classical Indian music and the world of film music… careful consideration was given to how to integrate orchestra into the Indian musical world, often having to learn to follow the phrasing and bending of the sitar.”

In search of character’s music themes, Alex arranged experimental sessions with some of the UK’s best classical Indian performers, combining tabla, mridangam, kanjeera, ghatam and many other percussion instruments with bansuri (Classical Indian flute), tanbura and the sitar. Early on, the decision was made that the sitar would be Lata’s ‘voice’. For Kabir they used the bansuri, played by acclaimed indian performer Ashwin Srinivasan and for the character of Amit, the solo violinist Philippe Honoré provided the musical voice. For suitor number three, Haresh, a variety of pitched Indian classical percussion such as clay pots, mangeera (hand cymbals), ghungroos and morsing (jaw harp) was employed, played by percussionist Sanket Naik.

Says Mira Nair “The three of us (Mira, Anoushka and Alex) approached several Indian artistes. Ashwin Srinivasan, the great flutist, plays throughout the soundtrack. Namit Das, who also acts as Haresh Khanna in A Suitable Boy, is an extraordinary singer who composed the boatman’s song as the lovers crossed the Ganges. Gagan Dev Riar, who also acts in A Suitable Boy, made a beautiful song of longing for the widow in the village scenes.

We were lucky to get the great maestro, Ustad Shujaat Husain Khan, the son of the legendary Ustad Vilayat Khan, to perform ‘Jhinjhoti’ and ‘Khamaj’ on screen in two concerts. The syncretic nature between traditional Indian sound and the Islamic influences that had arrived through Iran, Turkey, and Pakistan, which was then called India; all of this confluence can be experienced in the music of A Suitable Boy.”

Vol 1
01. Prologue
02. Lata’s Theme
03. Your Sister, My Brother
04. You Too Will Marry A Boy I Choose
05. Lutf Woh Ishq Mein – Composed & Sung by Kavita Seth
06. Mehfil Barkhaast Hui – Composed & Sung by Kavita Seth
07. Smitten Kitten (Meenakshi’s Theme)
08. Holi
09. Quegdevelim Sunset – Composed by Rhys D’Szousa / Performed by Bombay Brass
10. No Time, Lover, Or Friend
11. Raag Khamaaj – Composed & Performed by Shujaat Husain Khan
12. There Is No Harm In Dawn
13. The Floating Temple – Composed by Alex Heffes, Anoushka Shankar, Namit Das & Yamini Das
14. Pillow Talk
15. Let’s Go Away / I Never Want to See You Again
16. Na-rawa Kahiye – Composed & Sung by Kavita Seth
17. What Happened & Maan Delirium
18. Muddat Hui Hai – Composed & Sung by Kavita Seth
19. Kabir’s Letter
20. Unsuitable Tango
Vol 2
01. The Railway Theme
02. One Loves You
03. Your Parakeet Is Well?
04. Are You Making Fun of Me?
05. Farewell to Rasheed
06. Are You A Lipstick Girl?
07. Are We French Now?
08. Dil-e-Nadaan – Composed & Sung by Kavita Seth
09. Make Lata Love Me
10. I Can Make Any Shoe
11. Think Beyond Your Friends
12. Fluke of A Catch
13. Christmas In Prahapore
14. Free India’s First Election
15. Raag Jhinjhoti – Composed & Performed by Shujaat Husain Khan
16. Raag Lalit
17. Maan In Turmoil
18. Loss
19. The Fever Bird
20. Maan In Prison
21. An Unfortunate Accident
22. Love Has Run Its Course (Mehfil Barkhaast Hui Duet) – Composed by Kavita Seth / Sung by Kavita Seth & Sharvari Deshpande
23. A Suitable Boy
24. Lata Chooses Her Suitable Boy
25. Monkey Wisdom

Rawhead Rex

Rawhead Rex
Rawhead Rex – Music by Colin Towns

The long-awaited score album for the 1986 horror movie Rawhead Rex is released on Silva Screen Records on 30th October in digital, CD and vinyl formats. The 15-track album is penned by composer Colin Towns, known for The Puppet Masters, Space Truckers, Maybe Baby, Foyle’s War, Doc Martin, Pie In The Sky.

Rawhead Rex is a nuanced and lush horror score from a hugely talented composer at his best. The sound of the score grows and withers; from pastoral melodies to screaming brass and orchestral cacophony, back to clear harmony and fragile lines, bringing anticipation and dread to all the right points in the story. The music afterthought, There is a Green Hill Far Away, dissolves the mass of sound into the creepy and fragile, hymn-like vocal track.

This enjoyable creature-feature is based on a short horror story by Clive Barker (Hellraiser) and directed by George Pavlou. Released in 1986, the story of Rawhead Rex is set in 1980’s rural Ireland. The Demon, alive for millennia and trapped in the depths of hell, is unleashed on the sleepy local farming community. Remembered faintly through pre-Christian myth, the only one that can stop Rawhead’s bloody rampage is the historian, desperately racing against the time.

Composer Colin Towns is not only one of Europe’s most prolific film, television and theatre composers, but also a pianist, songwriter, arranger, producer and collaborator. His name has graced the credits of many prestigious and popular features.

“The first film I scored was Full Circle which starred Mia Farrow and is still in the BFI top ten for best score for horror films. I felt that film was more of a dark scary mystery. Rawhead Rex on the other hand was clearly a horror film 100%. I visited the film set in Ireland during the filming to take in the atmosphere and meet the actors after which I decided to record the music at CTS in London with a sixty piece orchestra plus electronics. I have always orchestrated my own work and had a wild time with Rawhead which is what I really love doing”. – Colin Towns

1. Rawhead Rex Main Theme
2. Welcome to Ireland
3. Rawhead Appears
4. Nicholson’s Farm
5. “Just you wait”
6. Boy Runs For His Life Through The Wood
7. Minty – “gotta pee”
8. The Vicarage
9. The Family is Leaving
10. Gussing Opens Book
11. Howard Discovers a Strange Glass Window in the Church
12. Declan Goes Wild in the Church
13. Howard Discovers the Power of the Stone
14. Rawhead Rex End Credits
15. There is a Green Hill Far Away

World Soundtrack Awards: Tribute To The Film Composer

World Soundtrack Awards Tribute To The Film Composer
World Soundtrack Awards: Tribute To The Film Composer

Elmer Bernstein // James Newton Howard // Carter Burwell // Alberto Iglesias // Elliot Goldenthal // Gabriel Yared // Jóhann Jóhannsson // John Williams // Nicholas Britell // Mychael Danna // Alexandre Desplat // Patrick Doyle // Michael Giacchino // Angelo Badalamenti

Supported by the Film Fest Gent’s World Soundtrack Awards, Tribute To The Film Composer is the sixth release in the WSA series on Silva Screen Records. The music is performed by the Brussels Philharmonic and conducted by Dirk Brossé.

Every year, an outstanding film music composer is invited to present their work during the annual World Soundtrack Awards Gala & Concert and in 2020 the spotlight is on past winners. The Academy celebrates 20 years of the World Soundtrack Awards with an anniversary concert on 24th October and album devoted to all thirteen Awards winning composers.

Tribute To the Film Composer album highlights the variety of the composers’ output and it features exclusive premiere studio recordings. Some of the tracks are concert arrangements, adapted by the composer for a life beyond the film or TV score. Other tracks are new recordings of cues that have never been released on a soundtrack album or which were not even used in the film.

The album’s title is derived from the playful closing album track, John Williams’s 2002 homage to his peers. Lasting less than five minutes, the Tribute To The Film Composer piece skilfully weaves through 23 different film themes by various composers who were nearly all either acquaintances or very close friends of the legendary John Williams.

Due to Covid restrictions, this year’s online concert will be free for fans to watch and the organisers are hoping this will further widen the already International WSA fanbase.


01. ELMER BERNSTEIN World Soundtrack Awards Fanfare 1:33
02. JAMES NEWTON HOWARD Red Sparrow Overture 6:36
03. CARTER BURWELL Fear – Main Title 2:32
04. ALBERTO IGLESIAS Hable con ella – Soy Marco 2:17
05. ELLIOT GOLDENTHAL Cobb – The Homecoming 6:16
06. GABRIEL YARED Troy (Suite) 5:19
07. JÓHANN JÓHANNSSON / RUTGER HOEDEMAEKERS When at Last the Wind Lulled 2:13
08. JOHN WILLIAMS Hook – The Face of Pan 4:06
09. NICHOLAS BRITELL Succession (Suite) 4:25
10. MYCHAEL DANNA Monsoon Wedding (Suite) 3:15
11. ALEXANDRE DESPLAT The Imitation Game (Suite) 4:33
12. PATRICK DOYLE Murder on the Orient Express – Never Forget (Instrumental Version) 4:12
13. MICHAEL GIACCHINO Star Trek, into Darkness and Beyond (Suite) 7:23
14. ANGELO BADALAMENTI Twin Peaks: Fire Walk with Me – The Voice of Love 4:02
15. JOHN WILLIAMS (Arr.) Tribute to the Film Composer 4:25

Conducted by DIRK BROSSÉ

The Definitive Musicals & Movie Songs Collection

The Definitive Musicals and Movie Songs Collection
The Definitive Musicals & Movie Songs Collection

1 Into the Unknown (From “Frozen II”) 3:16
2 Maybe It’s Time (From “A Star is Born”) 3:01
3 Shallow (From “A Star is Born”) 3:43
4 This Is Me (From “The Greatest Showman”) 3:53
5 How Far I’ll Go (From “Moana”) 2:42
6 City of Stars (From “La La Land”) 4:16
7 I Put a Spell on You (From “Fifty Shades of Grey”) 2:38
8 Beautiful (From “Beautiful: The Carole King Musical”) 2:39
9 Let It Go (From “Frozen”) 3:39
10 Let Me Be Your Star (From “Smash”) 3:21
11 Sparklejollytwinklejingley (From “Elf the Musical”) 3:58
12 I See The Light (From “Tangled”) 3:44
13 Love Never Dies (From “Love Never Dies”) 6:33
14 Til I Hear You Sing (From “Love Never Dies”) 3:08
15 Almost There (From “The Princess and the Frog”) 2:25
16 Don’t Stop Believin’ (From “Glee”) 3:52
17 Falling Slowly (From “Once”) 3:55
18 We’re All in This Together (From “High School Musical”) 3:58
19 Sherry (From “Jersey Boys”) 2:07
20 Astonishing (From “Little Women”) 3:39
21 Defying Gravity (From “Wicked”) 5:50
22 You Can’t Stop the Beat (From “Hairspray”) 4:13
23 Reflection (From “Mulan”) 3:37
24 Go the Distance (From “Hercules”) 3:16
25 Cross the Line (From “Big: The Musical”) 4:59
26 Colors of the Wind (From “Pocahontas”) 3:33
27 You’ve Got a Friend in Me (From “Toy Story”) 2:05
28 A Whole New World (From “Aladdin”) 2:41
29 Tale as Old as Time (From “Beauty and the Beast”) 2:45
30 With One Look (From “Sunset Boulevard”) 3:44
31 As If We Never Said Goodbye (From “Sunset Boulevard”) 5:13
32 Sunset Boulevard (From “Sunset Boulevard”) 3:03
33 A New Life (From “Jekyll & Hyde”) 4:40
34 The Last Night of the World (From “Miss Saigon”) 4:26
35 Part of Your World (From “The Little Mermaid”) 3:10
36 Under the Sea (From “The Little Mermaid”) 3:13
37 Seeing Is Believing (From “Aspects of Love”) 4:19
38 Love Changes Everything (From “Aspects of Love”) 3:03
39 I’ve Had the Time of My Life (From “Dirty Dancing”) 5:21
40 Take My Breath Away (From “Top Gun”) 4:47
41 I Know Him so Well (From “Chess”) 4:00
42 All I Ask of You (From “Phantom of the Opera”) 4:20
43 Music of the Night (From “Phantom of the Opera”) 5:32
44 Phantom of the Opera (From “Phantom of the Opera”) 3:31
45 Little Shop of Horrors (From “Little Shop of Horrors”) 3:32
46 I Dreamed a Dream (From “Les Miserables”) 4:23
47 Bring Him Home (From “Les Miserables”) 2:57
48 Footloose (From “Footloose”) 3:45
49 Starlight Express (From “Starlight Express”) 3:13
50 I Am What I Am (From “La Cage Aux Folles”) 2:58
51 Memory (From “Cats”) 4:02
52 Macavity: The Mystery Cat (From “Cats”) 5:06
53 Fame! (From “Fame!”) 3:47
54 Everybody Needs Somebody to Love (From “The Blues Brothers”) 3:22
55 Always Look on the Bright Side of Life (From “Monty Python’s Life of Brian”) 4:00
56 Not While I’m Around (From “Sweeney Todd”) 3:03
57 You’re the One That I Want (From “Grease”) 2:43
58 Summer Nights (From “Grease”) 3:42
59 Home (From “The Wiz”) 3:34
60 Don’t Cry for Me Argentina (From “Evita”) 5:19
61 High Flying Adored (From “Evita”) 3:21
62 Another Suitcase in Another Hall (From “Evita”) 3:03
63 Tell Me on a Sunday (From “Tell Me on a Sunday”) 3:35
64 It’s a Hard Knock Life (From “Annie”) 2:16
65 Tomorrow (From “Annie”) 2:58
66 All That Jazz (From “Chicago”) 3:18
67 What I Did for Love (From “A Chorus Line”) 4:23
68 Send in the Clowns (From “a Little Night Music”) 4:24
69 Pure Imagination (From “Willy Wonka & The Chocolate Factory”) 5:21
70 Superstar (From “Jesus Christ Superstar”) 3:59
71 I Don’t Know How to Love Him (From “Jesus Christ Superstar”) 3:33
72 Everything’s Alright (From “Jesus Christ Superstar”) 4:08
73 Ev’rybody Wants to Be a Cat (From “The Aristocats”) 4:43
74 Close Every Door (From “Joseph and the Amazing Technicolor Dreamcoat”) 3:44
75 Chitty Chitty Bang Bang (From “Chitty Chitty Bang Bang”) 2:01
76 I Wanna Be Like You (From “The Jungle Book”) 4:47
77 The Bare Necessities (From “The Jungle Book”) 4:54
78 Aquarius 3:47
79 Hair 3:20
80 The Flesh Failures / Let the Sunshine In (From “Hair”) 4:28
81 You’re a Mean One Mr Grinch (From “How the Grinch Stole Christmas!”) 2:59
82 Big Spender (From “Sweet Charity”) 1:46
83 Cabaret (From “Cabaret”) 3:59
84 The Impossible Dream (From “Man of La Mancha”) 3:13
85 If I Ruled the World (From “Pickwick”) 2:08
86 Supercalifragilisticexpialidocious (From “Mary Poppins”) 2:05
87 A Spoonful of Sugar (From “Mary Poppins”) 4:18
88 Don’t Rain on My Parade (From “Funny Girl”) 2:45
89 People (From “Funny Girl”) 3:12
90 If I Were a Rich Man (From “Fiddler on the Roof”) 5:11
91 Moon River (From “Breakfast at Tiffany’s”) 1:38
92 Food, Glorious Food (From “Oliver!”) 4:55
93 Consider Yourself (From “Oliver!”) 3:49
94 As Long as He Needs Me (From “Oliver!”) 3:50
95 Try to Remember (From “The Fantasticks”) 4:05
96 If Ever I Would Leave You (From “Camelot”) 4:55
97 So Long, Farewell (From “The Sound of Music”) 3:04
98 Edelweiss (From “The Sound of Music”) 2:38
99 My Favourite Things (From “The Sound of Music”) 2:04
100 Climb Ev’ry Mountain (From “The Sound of Music”) 2:52
101 The Sound of Music (From “The Sound of Music”) 2:45
102 Gigi (From “Gigi”) 6:11
103 Somewhere (From “West Side Story”) 3:29
104 Tonight (From “West Side Story”) 4:20
105 Maria (From “West Side Story”) 2:54
106 America (From “West Side Story”) 4:58
107 True Love (From “High Society”) 2:10
108 On the Street Where You Live (From “My Fair Lady”) 3:11
109 I Could Have Danced All Night (From “My Fair Lady”) 4:00
110 Bless Your Beautiful Hide (From “Seven Brides for Seven Brothers”) 2:14
111 Stranger in Paradise (From “Kismet”) 4:45
112 And This Is My Beloved (From “Kismet”) 3:37
113 Singin’ in the Rain (From “Singin’ in the Rain”) 4:21
114 Getting to Know You (From “The King and I”) 3:08
115 Shall We Dance (From “The King and I”) 2:44
116 Wandrin’ Star (From “Paint Your Wagon”) 4:28
117 Luck Be a Lady (From “Guys and Dolls”) 3:00
118 Younger Than Springtime (From “South Pacific”) 3:30
119 Some Enchanted Evening (From “South Pacific”) 3:19
120 Where Is the Life That Late I Led? (From “Kiss Me Kate”) 4:35
121 Zip-a-Dee-Doo-Dah (From “Song of the South”) 2:26
122 There’s No Business Like Show Business (From “Annie Get Your Gun”) 3:58
123 The Girl That I Marry (From “Annie Get Your Gun”) 1:18
124 Anything You Can Do (From “Annie Get Your Gun”) 3:21
125 You’ll Never Walk Alone (From “Carousel”) 3:40
126 Soliloquy (From “Carousel”) 7:36
127 If I Loved You (From “Carousel”) 4:15
128 Oklahoma! (From “Oklahoma!”) 3:05
129 The Surrey with the Fringe on Top (From “Oklahoma!”) 4:31
130 Oh What a Beautiful Morning (From “Oklahoma!”) 2:52
131 Dat’s Love (From “Carmen Jones”) 3:37
132 Over the Rainbow (From “The Wizard of Oz”) 3:50
133 We’re off to See the Wizard (From “The Wizard of Oz”) 1:53
134 Summertime (From “Porgy and Bess”) 2:57
135 Anything Goes (From “Anything Goes”) 2:59
136 Ol’ Man River (From “Show Boat”) 3:08
137 Make Believe (From “Show Boat”)