Silva Screen Music America

The Following Events Are Based On A Pack Of Lies

The Following Events Are Based On A Pack Of Lies

Music by Arthur Sharpe

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Arthur Sharpe’s soundtrack for The Following Events Are Based on a Pack of Lies.

The dark, comic and unpredictable five-episode thriller series is written by siblings Penelope Skinner (Fresh Meat, Linda, Briony Hatch – a graphic novel) and Ginny Skinner (Briony Hatch – a graphic novel). Starring stars Marianne Jean-Baptiste, Alistair Petrie, Rebekah Staton, Romola Garai, and Derek Jacobi, the series follows Alistair Petrie’s sleazebag serial scammer, Robert, engaging in a game of cat and mouse with Alice (Rebekah Staton), the abandoned ex-wife who thought he was dead, and Cheryl (Marianne Jean-Baptiste) the successful fantasy author who he is currently attempting to extort money from.

Penelope and Ginny Skinner observe – “In a world where convicted conmen become overnight cultural icons, bypassing blame on their way to fame, we have been inspired to fight back against the glorification of the predator. We want to tell a story about the real heroes of any scam: those who risk everything to call out the perpetrators.”

Den of Geek describes the series stylistic form – “The BBC scammer drama isn’t a biopic, but it comes with shades of reality” while The Guardian describes Alice’s quest for revenge as a “total thrill”. The intricacies of composing a soundtrack for such a form is explained by composer Arthur Sharpe – “To create a sound world within which the music spans the bright colours of the visuals to the dark insidiousness of a conman, I employed a wide variety of sounds.”

The score is an amalgam of harpsichords, harps, strings and marimbas driven along by the beats of the Bangers & Crash percussion group, with added sprinklings of detuned echos, scaffolding, broken floor tiles and a metal toy box; all combinations augmenting and supporting the storyline peppered with deceit and paranoia. It reflects Alice’s attempts to out the ex-husband who destroyed her life as he attempts to woo and steal from his new victim, the unsuspecting fantasy author and recently widowed Cheryl.” Delightful and surprising, Arthur’s soundtrack proves a perfect fit for the series.

Arthur Sharpe is a BAFTA, Ivor Novello and RTS Award-winning film and TV composer. He is known for his HBO & Sky Atlantic series Landscapers (2021), a genre-distorting true crime drama starring Olivia Colman and David Thewlis, for which he won multiple awards including the 2022 BAFTA for Best Original Music and the Ivor Novello Award for Best Television Soundtrack; and the feature film The Electrical Life of Louis Wain (2021), a Victorian-era artist’s biopic starring Benedict Cumberbatch and Claire Foy. Other notable works include BBC1 comedy Ghosts (2019 – present), Women On The Verge (2018) created by Lorna Martin and Sharon Horgan, Neil Forsyth’s BBC Scotland & BBC2 drama Guilt (2019 – 2023) and C4’s black comedy drama Flowers (2016-2018) starring Sophia Di Martino, Olivia Colman and Julian Barrett.

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Tracklist

1 Couplets 1:46

2 Air of Loftiness 1:56

3 Arathdoon 1:37

4 Building Mania 2:47

5 Tunnel Hearing 2:56

6 Impatience is a Virtue 2:49

7 Bounce & Melt 2:31

8 Malevolent Calm 1:40

9 MQPT 3:40

10 Pulsing Ahead 2:19

11 Secrets & Intrigue 1:36

12 Couplets Hypertension 2:09

13 The Ruins of Seduction 1:10

14 What Once Was There 3:47

15 The Dragon Queen of Thweme 2:06

16 The Swindlertrot 1:09

17 Unpersuading 4:48

18 MQPT Collapse 2:32

19 Rally & Recover 5:15

20 Unchartered Ambiguity 1:02

21 Truths Unearthed 2:17

22 Court Hearing 2:41

23 March of the Mountebank 2:32

24 All Trust Lost 1:35

25 Rage Uncontained 4:40

26 A Brief History of Bad Men (Getting Away with It) 3:56

27 Scheming 1:13

28 Hope in Resolve 4:02

The Escape Artist

The Escape Artist

Music by Georges Delerue

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The Escape Artist, released in 1982, starred Griffin O’Neal and Raul Julia with a tale of a young boy determined to follow in the footsteps of his father, “the greatest escape artist except for Houdini”.

Revered for his melodic skill and an innate emotional compass, French composer Georges Delerue could bring to bear music that was sweetly sentimental and drenched with pathos. He was a composer who could create magic, and that’s why he was director Caleb Deschanel’s one and only choice for The Escape Artist.

An already prolific screen career back home had seen him work with some of cinema’s greatest auteurs – everyone from François Truffaut and Bernardo Bertolucci to Alain Resnais and Jean-Luc Godard. Then there were the English-language films for directors like Jack Clayton, Fred Zinnemann, John Huston, Mike Nichols and John Frankenheimer. He had won an Oscar at the 52nd Academy Awards in 1980 for his music for A Little Romance and he took the plunge by moving to Los Angeles soon after.

This long unavailable soundtrack features extensive liner notes from film and music journalist Michael Beek.

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Tracklist
1. Main Titles
2. Getting Ready for The Big Time
3. Danny’s Arrival
4. Burke & Sybil’s Act
5. Harry Masters
6. Leaving The Apartment
7. The Bridal Shop
8. Picking Up Sandra
9. The Water Tank
10. Drowning
11. Ted’s Rancho
12. Fritz Threatens Danny
13. Danny’s Escape
14. The Secret Revealed / Levitation
15. Opening The Safe
16. Stu Chases Danny
17. The Mailbox / End Credits

Bonus Tracks
18. Harry Masters (Alternate)
19. Source Music I
20. Source Music II
21. Stage Band
22. Ted’s Rancho (Source Music)
23. High School Band
24. Music Box
25. Practicing The Piano (Delerue Solo)
26. Main Theme – Original Piano Demo

Hammett

Hammett

Music by John Barry

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Wim Wender’s 1982 film (executive produced by Francis Ford Coppola) Hammett starred Frederic Forrest as the titular American crime writer who becomes mixed up in a fictional mystery, similar to his own stories.

It is often assumed that composer John Barry’s association with Francis Ford Coppola had been cemented through his work on two entirely different 1980s films: The Cotton Club (1984) and Peggy Sue Got Married (1986), but in truth, their relationship began earlier, when Barry was hired to score Hammett.

Barry had great fondness for his Hammett score telling Ford Thaxton in 2001, “I loved doing Hammett. That was a terrific movie. If the director’s got it correctly onto the screen and that intimacy is present, it’s just great to be able to write that simply and orchestrate that sparsely.”

This release is newly remastered and edited with additional and alternate cues and includes extensive sleeve notes from Geoff Leonard and Pete Walker, authors of John Barry Plays 007: The Music And Art Of James Bond.

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Tracklist
1. Hammett Main Titles
2. Hammett’s Dream
3. Ryan is Missing
4. Chinatown Incident
5. Moonlight Over Spring River
6. Cookie’s Speakeasy
7. Shoeshine Blues
8. Shadow Man
9. The Library
10. Hammett Meets Salt / Suicide is Fascinating / I’m Calling It In
11. Look For Me at Fong’s
12. Potted Palms
13. The Opium Den / Escape from Fong’s
14. Hide and Seek
15. The Numbers Ticket Clue / A Belly Full of Daylight
16. Dixieland
17. You Can’t Forget Her Ever / Don’t Be A Chump, Let Her Go
18. A Cool Million
19. Waterfront Rendezvous
20. The Wrap Up
21. Hammett End Credits
22. Gumshoe Piano
23. Do You Like Bad Girls
24. Last Call
25. Hammett End Credits (Alternate)

Mark Isham: Music For Film

Mark Isham Music For Film

Music by the Brussels Philharmonic | Conducted by Dirk Brossé

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Film Fest Gent’s guest of honour at the 2022 World Soundtrack Awards Ceremony & Concert, Mark Isham has established himself as one of the most versatile American film composers of the past four decades. He first stepped into the limelight as a trumpeter and a synthesist, notably performing alongside Van Morrison among others. Utilising his classical education as well as his rich background in the jazz and electronic genres, he brings a fresh approach to each score in order to find the best, most creative solutions for every film.

Throughout his career, Isham has collaborated with a diverse range of great directors, including Robert Altman, Gillian Armstrong, Kathryn Bigelow, Brian De Palma, Jodie Foster, William Friedkin, Paul Haggis, Werner Herzog, Shaka King, Sidney Lumet, Robert Redford and Alan Rudolph, among others, which has also led him to tackle many different film genres. A number of those collaborations and genres are represented on this album.

This is the first time that an entire album is devoted to Mark Isham’s film and television career as a whole. Focusing on his symphonic music for screen and spotlighting some of his very best works, this album contains a unique selection of pieces and suites from his massive oeuvre, performed by the Brussels Philharmonic and conducted by Film Fest Gent music director Dirk Brossé. The trumpet solos on selected pieces have been newly performed by Mark Isham himself and by the Los Angeles Philharmonic’s principal trumpet player Thomas Hooten.

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Tracklist
1. Prologue (from Bobby)
2. Eight Below Suite (from Eight Below)
3. A River Runs Through It Suite (from A River Runs Through It)
4. Funeral (from Judas and the Black Messiah)
5. Building a Family (from Life As A House)
6. On the Threshold of Liberty (from Rules of Engagement)
7. The Event Flashback (from The Nevers)
8. The Black Dahlia Suite (from The Black Dahlia)
9. American Crime Suite – Movement III (from American Crime)
10. Les Modernes Suite (from The Moderns)
11. The Unbearable Weight of Massive Talent Suite (from The Unbearable Weight of Massive Talent)
12. 42 Suite (from 42)

The Godfather Suite

The Godfather Suite

Music by Carmine Coppola

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Not at all dangerous, but no less powerful and devoted to one another, the Coppola family have loomed large in film and the arts for decades. The head of this particular family was not a Don lurking in the shadows, but a brilliant composer arranger and conductor: Carmine Coppola. On the face of it, this album is a bit of a curiosity, though it was surely the first recording to bring together music from both Godfather films in this way. Its original release coincided with a high-profile television event called The Godfather: A Novel for Television (also known as The Godfather Saga).

The extended cut necessarily featured additional music and arrangements, which were overseen by Carmine Coppola. We can safely assume that at least some of that forms part of what is included in The Godfather Suite. For it, Coppola selected and re-arranged musical highlights from the two films, including all of Rota’s main themes and his own source music pieces, creating what is essentially a 14-part symphonic suite.

It’s all rather beautifully executed, with great romantic flourishes, and it’s a fitting tribute to Carmine Coppola’s talent, not to mention his contribution to two legendary films. Carmine Coppola himself passed away just months after the release of The Godfather Part III. A highlight of that final score is the ‘Love Theme’, which was the basis of Carmine Coppola and lyricist John Bettis’s Oscar-nominated original song ‘Promise Me You’ll Remember’. The instrumental arrangement is included here in addition to the Suite.

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Tracklist
1. Love Theme
2. The Godfather’s Tarantella
3. The Godfather’s Mazurka
4. Every Time I Look In Your Eyes
5. The Godfather’s Waltz
6. Michael’s Theme
7. The Godfather’s Fox-Trot
8. Senza Mamma (Without A Mother)
9. Napule Ve Salute (Goodbye To Naples)
10. Marcia Religiosa
11. Festa March
12. Kay’s Theme
13. A New Carpet
14. The Immigrant – Main Theme (The Godfather Part II)
15. Promise Me You’ll Remember (The Godfather Part III)

Voices Of The Valley: Echoes

Voices of the Valley Echoes

Music by The Fron Male Voice Choir

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The Fron Male Voice Choir celebrates St David’s Day with the release of Echoes, their sixth recording in the Voices of the Valley series, on 26th February 2021.

The Fron Male Voice Choir is one of the most successful choirs in the UK. Their debut album, released in November 2007, achieved double platinum sales and was nominated for a Classical Brit Award. Following this initial success, the choir has toured extensively and their albums have sold in over 70 countries world-wide. The tracks from the Voices of the Valley series have since featured on numerous compilations and artist albums.

Full title Froncysyllte Male Voice Choir or Côr Meibion Froncysyllte, the Fron Male Voice Choir was formed in 1947 and is based in the village of Froncysyllte near Llangollen in Denbighshire, Wales. Their association with the world-famous Tenor Luciano Pavarotti started in 1955. The Fron choir hosted the Società Corale Gioachino Rossini from Modena, which won first prize at the Llangollen Eisteddfod under the musical direction of Luciano’s father, conductor Fernando Pavarotti. Luciano Pavarotti claimed that him singing in the choir and this win inspired him to take up a singing career.

Initially set up to compete in the Llangollen International Eisteddfod festival, The Fron Male Voice Choir quickly developed into a first-class, modern choir. Following on their debut album success, the BBC classical music reviewer Michael Quinn reflects on the Fron Choir as “a good example of modern day Welsh Choir singing” and praises their “considerable close harmony talents, beauty of sound and impressive technique”.

On Echoes, the modernity is reflected in both their choice of material and delivery; from Welsh staples such as Llanfair (Willliams), O Iesu Mawr (David Charles) and Tydi A Roddaist (Hughes) and American, Russian and Welsh sacred hymns (The Lords Prayer, Spaséniye Sodélal) to Billy Joel’s And So It Goes, Aznavour’s She and musical numbers A Million Dreams (The Greatest Showman), Maria (West Side Story) and Bring Him Home (Les Miserables). The close harmony sound is richly layered yet crisp, allowing a multitude of harmonics to resonate.

The choir’s latest Musical Director, Leigh Mason, took over in 2010. Since her arrival, the choir has gone on to achieve great success, winning competitions in Ireland and Cornwall, and at the worldrenowned Llangollen International Eisteddfod. Leigh was deeply involved in the recording and production of Echoes and was vital in enabling the Fron Choir to deliver this vibrant and captivating album.

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Tracklist
1. A Million Dreams (From “The Greatest Showman”)
2. Llanfair
3. And So It Goes
4. She
5. The Bandits’ Chorus
6. The Seal Lullaby
7. Spaséniye Sodélal
8. The Lord’s Prayer
9. Maria (From “West Side Story”)
10. O Iesu Mawr
11. Bring Him Home (From “Les Miserables”)
12. Tydi A Roddaist

Audrey

audrey

Soundtrack by Alex Somers; a sublime sonic exploration of Audrey Hepburn’s life.

From the multi award-winning producers of McQueen and Churchill comes the documentary film Audrey, an intimate look at Audrey Hepburn’s life. With access to never-before-seen footage from her family’s personal collection, the film provides a deeply insightful exploration of Audrey, her life, her dreams and her legacy.

“The film provides intimate interviews with those who knew her best, woven around rare archival footage,” director Helena Coan says. “However, we have taken it one step further and worked with multi-award-winning British choreographer, Wayne McGregor CBE, to create dance sequences inspired by Audrey’s love of ballet, building a beguiling and emotionally affecting portrait of Audrey. Dance magnifies Audrey’s emotional landscape and brings a heightened sense of drama and theatre to the film, as well as a rich visual language which has not yet been used in documentary.”

Alex Somers was a perfect choice of composer for Audrey. He created a poignant sound world and immersed within it the visual portrait of a conflicted and complex human being. Audrey’s strengths and vulnerabilities together with her insecurities, challenges and love of life and humanity, make her a presence still felt worldwide today.

“Audrey Hepburn was such a special person” Says Alex Somers. “It was my goal to tap into what made her such a one-of-a-kind soul and create a melodic and sonic accompaniment for her. Collaborating with Helena was a beautiful and rewarding experience. The music poured out and together we experimented and pushed deeper to tell Audrey’s story; there is music here that is dark and there is music here that is light and uplifting, but the common thread is that it is honest and true to the spark that was Audrey.”

Alex Somers is an American composer and producer who currently resides in Los Angeles, having spent most of the last decade living in Reykjavík, Iceland, where he studied visual art at the Iceland Academy of the Arts. Alex was born in Baltimore and studied composition at Berklee College of Music in Boston.

His work was first noticed in 2009 with Riceboy Sleeps, his ambient album collaboration with partner Jónsi (Sigur Rós). Following Riceboy Sleeps, Alex co-produced Jónsi’s 2010 debut solo album Go. He then opened his own recording studio in Reykjavík where he co-produced and mixed Sigur Rós’ 2013 album Valtari, and continued to collaborate with artists Jónsi, Julianna Barwick, Jóhann Jóhannsson, Gyða Valtýsdóttir, Damien Rice, Amiina, Sin Fang, Briana Marela.

Alex began scoring for film and TV in 2011 when, together with Jónsi, he composed music and produced songs for We Bought A Zoo, How To Train Your Dragon Trilogy, Aloha, season one of WGN’s Manhattan, and The

He has since gone on to score Matt Ross’s Captain Fantastic (2016), Shia LaBeouf’s Honey Boy (2019), Taylor Swift’s Netflix original documentary Miss Americana (2020) and, most recently, the Apple original animated film titled Here We Are: Notes for Living on Planet Earth.

Audrey, the documentary, is available on DVD and as a Digital Download now.

Tracklist:

1. Everywhere All the Time
2. Withdrawing
3. In the Cellar
4. Very Fuzzy
5. Kept Secret
6. Death Pulls
7. Disappeared One Day
8. Pearl
9. Star
10. Familiar
11. Fell in Love with Her
12. Found Each Other
13. All Over the World
14. Listen to Radios
15. By Herself
16. Belong to Nobody
17. It Becomes Her
18. Truly Truly
19. Didn’t Exist
20. Picture of Her
21. Like A Light
22. Black Raven Hair
23. Great Willow Tree
24. Slowly Eroding
25. Tulips
26. Wound
27. Abandon
28. Golden Age
29. Fairytale
30. Water Sprite
31. Rose
32. Moon River

World Soundtrack Awards: Tribute To The Film Composer

World Soundtrack Awards Tribute To The Film Composer

World Soundtrack Awards: Tribute To The Film Composer

Elmer Bernstein // James Newton Howard // Carter Burwell // Alberto Iglesias // Elliot Goldenthal // Gabriel Yared // Jóhann Jóhannsson // John Williams // Nicholas Britell // Mychael Danna // Alexandre Desplat // Patrick Doyle // Michael Giacchino // Angelo Badalamenti

Supported by the Film Fest Gent’s World Soundtrack Awards, Tribute To The Film Composer is the sixth release in the WSA series on Silva Screen Records. The music is performed by the Brussels Philharmonic and conducted by Dirk Brossé.

Every year, an outstanding film music composer is invited to present their work during the annual World Soundtrack Awards Gala & Concert and in 2020 the spotlight is on past winners. The Academy celebrates 20 years of the World Soundtrack Awards with an anniversary concert on 24th October and album devoted to all thirteen Awards winning composers.

Tribute To the Film Composer album highlights the variety of the composers’ output and it features exclusive premiere studio recordings. Some of the tracks are concert arrangements, adapted by the composer for a life beyond the film or TV score. Other tracks are new recordings of cues that have never been released on a soundtrack album or which were not even used in the film.

The album’s title is derived from the playful closing album track, John Williams’s 2002 homage to his peers. Lasting less than five minutes, the Tribute To The Film Composer piece skilfully weaves through 23 different film themes by various composers who were nearly all either acquaintances or very close friends of the legendary John Williams.

Due to Covid restrictions, this year’s online concert will be free for fans to watch and the organisers are hoping this will further widen the already International WSA fanbase.

Tracklist:

01. ELMER BERNSTEIN World Soundtrack Awards Fanfare 1:33
02. JAMES NEWTON HOWARD Red Sparrow Overture 6:36
03. CARTER BURWELL Fear – Main Title 2:32
04. ALBERTO IGLESIAS Hable con ella – Soy Marco 2:17
05. ELLIOT GOLDENTHAL Cobb – The Homecoming 6:16
06. GABRIEL YARED Troy (Suite) 5:19
07. JÓHANN JÓHANNSSON / RUTGER HOEDEMAEKERS When at Last the Wind Lulled 2:13
08. JOHN WILLIAMS Hook – The Face of Pan 4:06
09. NICHOLAS BRITELL Succession (Suite) 4:25
10. MYCHAEL DANNA Monsoon Wedding (Suite) 3:15
11. ALEXANDRE DESPLAT The Imitation Game (Suite) 4:33
12. PATRICK DOYLE Murder on the Orient Express – Never Forget (Instrumental Version) 4:12
13. MICHAEL GIACCHINO Star Trek, into Darkness and Beyond (Suite) 7:23
14. ANGELO BADALAMENTI Twin Peaks: Fire Walk with Me – The Voice of Love 4:02
15. JOHN WILLIAMS (Arr.) Tribute to the Film Composer 4:25

Performed by BRUSSELS PHILHARMONIC & VLAAMS RADIOKOOR
Conducted by DIRK BROSSÉ

The Deceived

The Deceived, soundtrack to a new contemporary 4-part psychological thriller created and written by Lisa McGee (Derry Girls, Being Human, The White Queen) and Tobias Beer.

Music composed by Hannah Peel. Northern Irish artist, producer and composer. Peel’s solo music is primarily electronic, synthesiser based and often includes classical scoring and sound design. She has scored music for television, film, theatre and dance, including Game of Thrones: The Last Watch (TV Special Documentary).

As well as her solo work, Hanna Peel is a member of the psychogeography indie rock group The Magnetic North, and has worked with collaborators including orchestrations and conducting for Paul Weller and the electronic group John Foxx and the Maths.

TRACKLIST:

1. Knockdara To Cambridge
2. I Love You I Love You
3. Superstitious Nonsense
4. More Than Anything In The World
5. She’s My Sister
6. Capable Of Anything
7. Ghosts
8. Bridget McGinley
9. I’m On My Way
10. The Shore Cafe
11. Night Of The Fire
12. CCTV And Fire
13. Morning Da
14. What The Devil
15. Seeing The Damage
16. Music Box Reprised
17. In Black And White
18. Lighting The Fire
19. I Saw Her
20. Fire Bag
21. Evidence
22. Get Some Sleep
23. Arriving At Knockdara
24. Listen To Your Mother

Otra Mirada – Tangos De Camara

OTRA MIRADA (ANOTHER LOOK)

From Award Winning film composer Daniel Tarrab, comes a fresh and innovative, jazz-influenced, Tango album.

Performed by Nestor Marconi (Bandoneon), Pablo Agri (Violin), Daniel Tarrab (Piano / Contrabass) and string orchestra comprised from the members of Orquesta Filarmonica Nacional.

Aptly naming the album Otra Mirada (Another Look), Tarrab carefully avoids the powerful musical influence of the unforgettable Piazzolla. Composing 8 original Tangos in song format and preserving the passion of the style, Tarrab is also bringing in the influence of Jazz through harmonies. His dramatic, modern interpretation of Tango stems from the music form’s constant evolution. As observed by John Pareles of the New York Times in the year 2000 – “Jazz and tango have parallel histories. Both came out of the slums and the underworld, were denounced as salacious and were then embraced as dance music. Both moved from clubs to concert halls, evolving into more ambitious forms. Both conjure romance, exhilaration and tension; both use improvisation. Yet they are as different as Argentina and the United States. Tango has a European formality and a sense of tragedy; jazz prefers openness and a sense of humor, the underlying optimism that lets the blues transcend hard times. Still, it was inevitable that jazz and tango would meet”.

In the spirit of cosmopolitanism, Otra Mirada is written as concert music that is open to improvisation and local influences. The Worldwide tour will feature the original trio backed by local string orchestras, bringing vernacular flavour to the Buenos Aires Tango. Presently, Tango is experiencing a revival in Japan, Korea, Germany, France, Finland, countries far from Argentina.

Daniel Tarrab was born in Buenos Aires, Argentina. He studied Music Composition at the Catholic University of Argentina (UCA) and Film Composition at The Berklee College of Music, in Boston, Massachusetts (USA). In the 2000s Daniel established himself as a film composer. Known for the Broken Silence Series (produced by Steven Spielberg in 2002) and The Whore and the Whale (2004), in 2007 Tarrab won the World Soundtrack Awards Discovery of the year for the Cannes Film awarded XXY. He is also a recipient of several other awards from the Academy of film of Argentina-Gran premio SADAIC for Film Music (society of Argentinean Composers).

One of the great musicians of the 70s, Nestor Marconi is a leading player of the bandoneón, the small accordion-like instrument that is a prominent part of the traditional sound of the Argentine tango. Since the 90s, he has joined the international classical music circuit as a soloist performing pieces from the bandoneon and orchestra repertoire such as the “Concert by Bandoneón” or the “Tres Tangos” by Astor PIazzolla. He has appeared on the stages throughout Europe and USA, as well as at the Teatro Colón in Buenos Aires and has performed with leading classical music artists Gidon Kremer, Daniel Barenboim, Yo-Yo Ma, and Charles Dutoit on Tango cross-over projects. Currently, Marconi is the leader of his own tango trio with Leonardo Marconi on piano and Oscar Giunta on bass.

Son of Antonio Agri, Pablo Agri, like his father is a leading violinist of the Tango genre. Focusing early on classical violin studies, Pablo developed his own style. He has been a member of the National Symphony Orchestra since 1992, he took classes with maestro Szymsia Bajour and was awarded a scholarship by the Antorchas Foundation to study at the Conservatorio Edgard Varese, in France, with maestro Ami Flammer, obtaining the Premier Prix in July 1997. He has also worked with the best Tango musicians, from Mariano Mores to Horacio Salgán through Néstor Marconi, Susana Rinaldi and Osvaldo Berlingieri.

1. Prelude
2. La Lamparita
3. Abril
4. Encuentro
5. El Quinto
6. Entrelineas
7. En La Cornisa
8. La Lamparita (Reprise)